For Working Artists · Worldwide

Your career isn't land or sea.
It's both.

So is ours. TAD is built for the act whose career moves across every kind of stage — a single agency that picks up when you call, and makes you more bookable every year you're with us.

Scroll
Why we built TAD

Representation is a relationship.

We believe your career is a living thing — growing, shifting, moving between rooms, discovering rooms it didn't know existed.

We believe the agency's job is to grow with it. To keep showing up. To make the work of being an artist feel a little less lonely.

We built TAD to be that agency. The rest of this page is what it looks like in practice.

Here's how we work.
The three commitments

Three promises.
Every act. Every year.

01

Land + Sea — or just Sea. The structure is yours.

Most of our acts sign on for full representation — TAD handles their entire career across cruise lines, casinos, resorts, theatres, and corporate stages. One agency, one contact, everywhere the work happens. But if you already have a trusted land agent, TAD is also the strongest standalone cruise rep you'll find. We'll handle the ship side and leave your existing relationship untouched. Sign for both, or sign for just the sea. Your career, your structure.

02

Communication isn't a service tier. It's the whole service.

We built TAD around a simple belief: the agency's job is to be reachable. You get a direct line to a real person, a 24-hour reply window on anything that isn't a weekend, and regular career check-ins whether or not you're working that month. That's not a promise. That's how we operate.

03

We don't just book you. We package you.

Representation is more than making calls. TAD has a full in-house team for branding, photography, video editing, promotional copy, social assets, and one-sheets. When a buyer gets a TAD submission, they see a professional product — and professional products get rebooked. Your reel, your photos, your press kit: all of it our job, not yours.

The service reality

What a real representation relationship looks like.

These are the commitments we make to every act we represent. Concrete. Measurable. Yours to hold us to.

Regular Check-Ins

A real call with a real person at TAD on a regular cadence — whether you're working that month or not. We talk about what's next, what's working, and what to refine. You always know where your career stands with us.

24-Hour Reply Window

On any question that isn't a weekend. When you need an answer, you get one. If the answer takes longer to put together, you still get a reply within the day telling you when to expect it.

Always-Current Marketing

We keep a constant eye on your online presence and marketing material — reels, photos, bios, press kits, social assets, website — to make sure it reflects where your career is now, not where it was. When anything starts to feel dated, our in-house creative team rebuilds it, at no extra cost to you. Whether you're playing a cruise ship, a casino, or a corporate ballroom, your public face stays sharp.

Smart Tour Routing

We plan your dates like your schedule is a human one — because it is. Routing that respects your life, your rest days, and your travel realities is the difference between a sustainable career and a burnout season.

Venue Advocacy

Rider needs? Payment timing? Green room conditions? We handle it. We represent you to the venue — and we stay in that lane throughout the engagement. Your job is the show. Ours is everything around it.

Bespoke Technology

TAD runs on proprietary, state-of-the-art software built in-house and unavailable anywhere else in the industry. It's how we track availability across entire fleets, match acts to the right rooms before anyone else sees them, and move faster than anyone competing for the same work. Our tech advantage becomes your competitive edge — the kind of infrastructure behind your career that other acts simply don't have.

The company you'll keep

400+ acts. 70+ countries.
Twenty years of showing up.

TAD was founded in 2006 as a Phoenix production house and grew into a global entertainment agency with offices in Arizona, Florida, New England, UK and Dubai. Our acts play the world's biggest cruise lines, the country's top casinos, and the kinds of theatres and corporate stages that book on reputation alone. You'd be in good company.

400+
Artists
20
Years
70+
Countries
6
Global Offices
— Partners —
FanGenie
ShoreMatch
In their words

Don't take our word for it. Take theirs.

The acts we represent and the venues that book them — here's what working with TAD has meant to them.

★★★★★

"Getting a call mid-contract on a ship in the Caribbean just to check in—that told me everything I needed to know about TAD.

I signed with them, and six years later my career has grown across multiple cruise lines. The support, the opportunities, the professionalism… it's been next level.

I honestly can't praise Jo Martin and TAD enough."

Jay McGee
Guest Entertainer · All Major Cruise Lines
★★★★★

"I can't say enough good things about TAD Management. They are an honest, diligent company that never fails to deliver — every promise made is a promise kept, and that kind of reliability is rare in this industry.

Terry Davies is, hands down, one of the most positively influential people in the business. His integrity, professionalism, and genuine care for the people he works with set a standard that others should aspire to.See more

Traci Baker
Pebble Creek Renaissance Theatre
★★★★★

"I have been proudly represented by TAD Management for the past 9 years, and I cannot speak highly enough of the team and the opportunities they have provided me throughout my career.

TAD Management has consistently kept me working both at sea and on land, always securing high-quality engagements and representing me with professionalism and integrity. Their communication is excellent, they are easy to work with, and they truly care about both their clients and the artists they represent.See more

Matt Johnson
Magician & Escape Artist
Who you'll actually talk to

Here's who will have your number in their phone.

Real people, by name, each with a specific role in your career. These are the people you'll be calling — and the ones who will be calling you.

JM
Jo Martin
CEO · Cruise Division
BS
Beth Schaafsma
Director of Cruise Entertainment
AC
Alex Crow
Talent Booker & Entertainment Specialist
RH
Rachael Hutton
Travel CoOrdinator
JB
Jo Boase
Cruise Administrator
JD
Julia Davies
Booking Agent
DB
Drew Baloh
Booking Agent
EL
Emma Lovini
Booking Agent
MO
Milt Orkin
Booking Agent
RC
Ross Caligiuri
Booking Agent
SP
Scotty Pearson
Booking Agent
CL
Chris LeGrand
Booking Agent
ND
Nick Davies
Booking Agent
FAQ

Questions you might be asking.

Yes. We regularly speak with acts who are exploring their options. Tell us about your current situation — we'll be honest about whether the timing is right. Confidentiality is a given; nothing you share with us leaves the room.
No. TAD is built for acts who work cruise, land, or both. About half our roster works both sides; the rest work one side seriously. We'll meet you where you are — and if your career grows into the other side, we grow with you.
We book internationally and have offices in London and Dubai in addition to the United States. Our roster works in 70+ countries. Apply from wherever you are — nationality isn't a filter, the work is.
The TAD team reviews all submissions every couple of weeks. If you are successful, a member of the team will reach out to you.
We're selective. We'd rather represent fewer acts well than more acts casually — that's how we can make the commitments above. Apply; we'll tell you honestly if there's a fit today, a fit tomorrow, or no fit at all.
Take the next step

Ready? So are we.

Tell us about your act and if we feel you are the right fit for us, we will be in touch.

Apply to Join the TAD Family →
— We're selective. So are the acts who thrive with us. If that's you, we want to hear you. —